Antony Szmierek

In support of new album : DECODING BIRDSONG

INCL. collaborations with Pretty Girl, Los Bitchos, 1-800 Girls, Imogen and The Kinfe & Elur

Decoding Birdsong follows the wild success of his debut album, 2025’s Service Station at the End of the Universe, which launched Antony into a whirlwind of Glastonbury, Jools Holland, and repeat BBC airplay. He’s sold out venues across the UK and Europe, and in February 2026 performed to 20,000 while closing Solomun’s Alexandra Palace shows. The former English teacher had been working at a college for special needs students when his blend of spoken word and dance music started taking off, earning him accolades such as 6Music’s Artist of the Year in 2023 following his Poems To Dance To EP, and frequent comparisons to Mike Skinner, Jarvis Cocker and John Cooper Clarke.

Service Station at the End of the Universe was rooted in Greater Manchester, its locals and landmarks, such as the Stockport Pyramid. And he began feeling the consequences of that: suddenly, everyone knew his name at the pub – on some days, that felt good; on others it made him feel like he was in The Truman Show. Feeling like something needed to change after a year of experiencing the industry’s high highs and low lows, Antony recently relocated to Bristol, trading the familiar for distance and peace. Decoding Birdsong was made in his new home city, with his long-time collaborator Max Rad.

Where his debut had been a solo endeavour, Decoding Birdsong brims with collaboration, including Australia’s Pretty Girl, London band Los Bitchos, and Bristol producer 1-800 GIRLS, as well as Imogen and the Knife and indie pop star Ellur.

Praise for Antony Szmierek:

“Antony Szmierek’s luminous spoken word finds relief in vulnerability of all kinds: the ephemerality of home; surrendering to the moment; love, loss and the mysteries in between. In his songs, they swirl together like sediment in a wine glass.” Observer

“lyrics that plenty of post-punk bands would dream of penning are backed up by chameleonic, club-tastic soundscapes” NME ****

“Manchester has an exciting new voice” Record Collector ****

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